Monaural speech separation has been studied in previous systems that incorporate auditory scene analysis principles. A major problem for these systems is their inability to deal with speech in the highfrequency range. Psychoacoustic evidence suggests that different perceptual mechanisms are involved in handling resolved and unresolved harmonics. Motivated by this, we propose a model for monaural separation that deals with low-frequency and highfrequency signals differently. For resolved harmonics, our model generates segments based on temporal continuity and cross-channel correlation, and groups them according to periodicity. For unresolved harmonics, the model generates segments based on amplitude modulation (AM) in addition to temporal continuity and groups them according to AM repetition rates derived from sinusoidal modeling. Underlying the separation process is a pitch contour obtained according to psychoacoustic constraints. Our model is systematically evaluated, and it yields substantially better performance than previous systems, especially in the high-frequency range.

Monaural speech separation has been studied in previous systems that incorporate auditory scene analysis principles. A major problem for these systems is their inability to deal with speech in the highfrequency range. Psychoacoustic evidence suggests that different perceptual mechanisms are involved in handling resolved and unresolved harmonics. Motivated by this, we propose a model for monaural separation that deals with low-frequency and highfrequency signals differently. For resolved harmonics, our model generates segments based on temporal continuity and cross-channel correlation, and groups them according to periodicity. For unresolved harmonics, the model generates segments based on amplitude modulation (AM) in addition to temporal continuity and groups them according to AM repetition rates derived from sinusoidal modeling. Underlying the separation process is a pitch contour obtained according to psychoacoustic constraints. Our model is systematically evaluated, and it yields substantially better performance than previous systems, especially in the high-frequency range.

Monaural speech separation has been studied in previous systems that incorporate auditory scene analysis principles. A major problem for these systems is their inability to deal with speech in the highfrequency range.Psychoacoustic evidence suggests that different perceptual mechanisms are involved in handling resolved and unresolved harmonics. Motivated by this, we propose a model for monaural separation that deals with low-frequency and highfrequency signalsdifferently. For resolved harmonics, our model generates segments based on temporal continuity and cross-channel correlation, and groups them according to periodicity. For unresolved harmonics, the model generates segments based on amplitude modulation (AM) in addition to temporal continuity and groups them according to AM repetition rates derived from sinusoidal modeling. Underlying the separation process is a pitch contour obtained according to psychoacoustic constraints. Our model is systematically evaluated, and it yields substantially better performance than previous systems, especially in the high-frequency range.

An eigenvalue method is developed for analyzing periodic structure in speech. Signals are analyzed by a matrix diagonalization reminiscent of methods for principal component analysis (PCA) and independent component analysis (ICA). Our method-called periodic component analysis (1l"CA)-uses constructive interference to enhance periodic components of the frequency spectrum and destructive interference to cancel noise. The front end emulates important aspects of auditory processing, such as cochlear filtering, nonlinear compression, and insensitivity to phase, with the aim of approaching the robustness of human listeners. The method avoids the inefficiencies of autocorrelation at the pitch period: it does not require long delay lines, and it correlates signals at a clock rate on the order of the actual pitch, as opposed to the original sampling rate.

An eigenvalue method is developed for analyzing periodic structure in speech. Signals are analyzed by a matrix diagonalization reminiscent of methods for principal component analysis (PCA) and independent component analysis (ICA). Our method-called periodic component analysis (1l"CA)-uses constructive interference to enhance periodic components of the frequency spectrum and destructive interference to cancel noise. The front end emulates important aspects of auditory processing, such as cochlear filtering, nonlinear compression, and insensitivity to phase, with the aim of approaching the robustness of human listeners. The method avoids the inefficiencies of autocorrelation at the pitch period: it does not require long delay lines, and it correlates signals at a clock rate on the order of the actual pitch, as opposed to the original sampling rate.

An eigenvalue method is developed for analyzing periodic structure in speech. Signals are analyzed by a matrix diagonalization reminiscent of methods for principal component analysis (PCA) and independent component analysis(ICA). Our method-called periodic component analysis (1l"CA)-uses constructive interference to enhance periodic components of the frequency spectrum and destructive interference to cancel noise. The front end emulates important aspects of auditory processing, such as cochlear filtering, nonlinear compression, and insensitivity to phase, with the aim of approaching the robustness of human listeners. The method avoids the inefficiencies of autocorrelation at the pitch period: it does not require long delay lines, and it correlates signals at a clock rate on the order of the actual pitch, as opposed to the original sampling rate.